It’s fixed pricing, ready to rent, and can include insurance. They’re like the Airbnb of gear: you sign up, look for what you want, and the platform connects with owners near your home. When it comes to the RED or Kino Freestyle or C-Stand, I recommend signing up for a KitSplit or ShareGrid account. When I shot this episode, the Caddie Buddy, Smart Lav, and iPad could all be ordered on Amazon and shipped to your home. The second is that it’s among the lightest professional LED panels in its class and you can hang it safely by yourself.įinally, the controller is easy for anyone to use and the extension cable is long, so i can flip the RED monitor around, sit in front of the camera, and hold the controller in my lap to make adjustments. When you’re shooting at home with limited resources, a top quality light will make skin tones look better. I’m not a cinematographer, and I know there are a lot of choices for LED lights, but I like using the Kino Freestyle for three main reasons. The best part is that after recording, I can select the audio file, name it to match the video file, and air drop it to my Frame.io watch folder, which automatically uploads it to the same directory as my video file.

The SmartLav is about $80, plugs into my iPhone, and comes with an app that lets me record audio with an omnidirectional polar pattern that’s easy to mix. I really love my Rode SmartLav microphone for recording audio. The iPad prompter app is called I-Cue, which allows you to set the speed and trigger start and stop with one touch, which is essential if you’re recording yourself. When it comes to teleprompters, it’s all in the mirror, and this one is adjustable, with 15mm mounting rods that make it easy to mount to my Wooden Camera mounting kit. I use a Caddie Buddy teleprompter for iPad that costs about $160. If you’re doing stand-ups, you might be used to using a teleprompter. I load the proxy into Resolve, apply a LUT, and use the Frame.io integration exporter in the Deliver tab to quickly render a timecode HEVC directly to Frame.io, which automatically notifies the editor that there’s a new asset.įor a 30-minute recording, the whole process takes a little less than an hour with a 20 megabit per second upload speed. The RED also generates a simultaneous ProRes LT that acts as a proxy.Īfter I record the interviews, I load the mag into my iMac Pro, and download the RAW and ProRes files to my G-Speed Shuttle. My setup is probably unique, in that I’m using a RED Helium camera and I’m shooting in 8K using REDCode 9:1. It’s been a trial and error process, but now that we have a few shows in the can, we thought it might be useful for us to share what we’ve learned along the way to help you shoot better videos from home. Speaking of doing shows from home and interviews on Zoom, it’s become a kind of new standard operating procedure for everyone from actors to performers to those of us at Frame.io who are making this show. And one of the keys to the team staying in sync is that they use Frame.io. It’s a combination of using available, mainstream technology along with some of the highest-tech, highest-speed technology gear.

It’s that you’ve got a host who’s shooting his own segments on an iPhone from his house, and he’s interviewing his guests on Zoom. It’s not just that you’ve got a show that’s being edited remotely.

There are a couple of things that make this episode extra special. Conan wanted a show that felt authentic, and this interview is as authentic as it gets. Rob’s got a sweet edit setup in the kitchen of the home he shares with his wife, three kids, and his dog-who wasn’t at all shy about making an appearance during our interview. In this week’s episode of our Workflow From Home series, lead editor Robert Ashe took us behind the scenes of the popular late-night show Conan. There are always deadlines and changes and last-minute ideas that get slipped in right under the wire.īut what happens when a show that’s always been produced in a studio with a live audience has to start producing four shows a week-with everyone from the host to the guests, writers, producers, and editors-working from home? Producing a late-night TV show is a challenge under ideal circumstances.

Caddie buddy teleprompter